STUMBLE UPON: Viral cover of “Let it go”

Singer Alex Boyé and the One Voice Children’s Choir published a cover of “Let It Go” from the hit Disney film “Frozen” and it’s almost at 33 million views. The young singer Lexi Walker in the video is amazing and Alex Boyé adds a fresh touch to the hit song that just works! Check it out!

The One Voice Children’s Choir is
Directed by Masa Fukuda

Cast:
Elsa (lead singer): Lexi Walker
Anna: Veda Mason
Hans: Daimion Davis
Kristoff: Isaac Cox
Sven: Chloe Barrus
Olaf: Jocelyn Bench
2nd soloist girl: Viviena Wolfgramme

╬D Recommendation: ViolinTay (Taylor Davis) and Malukah (Judith de los Santos)

This Week’s ╬D Recommendation: belongs to Malukah aka Judith de los Santos, the Jaw-dropping bombshell of a voice and beauty that brought you two of the most amazing video game covers you have or ever going to hear in this lifetime or the next and ViolinTay aka Taylor Davis who extremely talented and gorgeous Violinist who brings you the extremely best violin covers this side of the milky way galaxy!!

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Bombshell Profile: Kate Upton

Today’s selection for Bombshell Profile is the one an only Kate Upton.

Katherine “Kate” Upton is an American model and actress known for her appearances in the Sports Illustrated Swimsuit Issue first in 2011, when she was named Rookie of the Year, and again in 2012, when she was announced as the cover model.

Upton was born on June 10, 1992 in St. Joseph, Michigan and raised in Melbourne, Florida. She attended Holy Trinity Episcopal Academy. Her uncle is U.S. Representative Fred Upton, Republican of Michigan’s 6th congressional district.

She also has appeared in two films these past two years: Tower Heist and The Three Stooges
PICTURE GALLERY:

VIDEO:



You can follow Kate Upton on her Twitter @KateUpton

-Brian Lansangan
Follow me on Twitter @MrSnugglenutz84

Prometheus Review

Prometheus is Director Ridley Scott‘s return to form. The story takes place before 1979’s revered sci-fi classic ALIEN. Set in 2093, 30 year’s before the Nostromo. It’s written by Jon Spaihts (The Darkest Hour) and Damon Lindelof (LOST, Cowboys & Aliens). Prometheus manages to stand on it’s own maintaing a unique look and feel while building worlds on top of the existing Alien mythology with out feeling out of place in terms of technical or creature design. It perfectly balances a strange but familiar atmosphere…

Being a fan of the Alien franchise, I had certain expectations going into this film. I’m happy to say that Ridley Scott took those expectations flipped them on their head and shattered them.

Right from the opening of the film, what I’ve come to call the “Genesis” scene, Ridley Scott makes his intentions clear… what you are about to watch is complex, beautiful, terrifying and facinating.

Prometheus isn’t just a return to form for Ridley Scott but for the sci-fi genre itself. Today, science fiction is more known for it’s lite hearted, brain disengaging story lines and eye popping special effects. Growing up in the late 80’s early 90’s, science fiction was better known for introducing strange new “ideas” and the serious “exploration” of possibilites. Prometheus refreshingly engages this concept.

The movie, besides it’s entertaining value, brilliantly asks the heavy questions. Where do we come from? Are we alone in the universe? Do we have a creator? What happens after we die? The movie explores those questions through the impeccably casted crew of the Prometheus and is the underlying motivation for the principle characters, who’s points of view range from Christianity, Creationism, Darwinism, to Atheistic. Needless to say, the movie doesn’t pretend to know all the answers instead leads our curiosity down a perpetual path of questions.

For example there was a small but interesting scene after the crew discovers the existence of the “Engineers” where Elizabeth Shaw (played by Noomi Rapace) is sharing an intimate moment with Charlie Holloway (played by Logan Marshall-Green).

(More or less the way I remembered it)

Charlie (to Elizabeth): “You can take off your fathers cross now.” 

 Implying that they now have the answer to who created the human race, proving Shaw’s religious beliefs false.

Elizabeth: “Why?” 

Charlie: “Because we found our creators.”

Elizabeth (unwaveringly): “and who made them?”

Prometheus starts with an overwhelming sense of discovery and wonder but promptly hits a slippery slope of terrifying events that progressively increase in shock and intensity. The “Caesarian” scene comes to mind. Which reminds me, this morning the news reported that in Australia a 13 year old boy suffered a seizure during that scene. So you can add Prometheus to the infamous list of movies that killed/almost killed an audience member (Pulp-Ficiton, Jaws).

The Swiss surrealist H.R. Giger returns to create the new creature designs for the film and as you would expect they’re completely faithful to the Alien-verse. Fresh and new but indicative of what the species will inevitably evolve to.

Supporting that sense of exploration and foreshadowing terror is the films soundtrack composed by German composer Marc Streitenfeld which features two supplemental pieces by English composer Harry Gregson-Williams. I’ve been listening to the soundtrack for a week now (I’ve been avoiding the song titles until I saw the film lol) and my 3 favorite tracks are “Life”, “Going In” and “Space Jockey”. Symphonically those 3 tracks sum up the movie for me.

The movie has a running time of 124 minutes and I’ve heard complaints about the films pacing, but in all honesty I didn’t find it to be problematic. To the contrary. Once the story takes a turn for the worst the films pacing induces a feeling of falling down a horrifying rabbit hole. Every climatic moment in the story immediately leads you to the next, twisting your expectations along the way. From the Xenomorphic microbes, the phallic shaped creature, to the “Space Jocky’s” exo-suit. It got to the point for me that I just had to stop trying to outthink the movie and let it resolve itself.

The main characters in the film felt hefty and believable. David the synthetic (played by Michael Fassbender) was creepy, cold, but fascinating to watch. Meredith Vickers (played by Charlize Theron) was rigid, authoritarian but alluded to something more. Elizabeth Shaw (played by Noomi Rapace) was surprisingly good and well fleshed-out, worthy of being Ripley’s predecessor.  Charlie Holloway (played by Logan Marshall-Green) wasn’t the most intriguing of characters but I don’t think he was meant to be. He’s was pretty straight forward in his pursuits throughout the film. Janek (played by Idris Elba) is the Captain of the Prometheus and delivers a calm and cool-headed performance. The rest of the supporting cast  do a good job adding to the ambience of the film with some memorable moments sprinkled throughout.

As I was leaving the theater my mind started to run wild with all the numerous questions the film leaves you with and I bantered back and forth with my brother and sister-in-law.

Shortly after I came to the conclusion that Prometheus has to be the best summer movie so far. Few movies manage to get me excited with anticipation and leave me with a renewed sense of excitement afterwards. I’m well aware that The Dark Knight Rises is just around the corner. But I honestly don’t see The Dark Knight Rises being better than Prometheus, not that TDKR will suck, God no. But Nolan has to wrestle with the bar he set with The Dark Knight… so theres a giant Texas-sized hurdle he has to over come.

Ridley Scott proves that he still has his movie making mojo. Prometheus is nothing short of spectacular. It more than succeeds in intriguing, entertaining and scaring you. I’m sure the Bluray/DVD of Prometheus will be one of those discs you watch over and over again, dissecting each scene and discussing minut details with your fellow movie-going friends.

As an Alien fan I give it a perfect 5 Crosses out of 5, it gives you more than what you want and leaves you wanting more. As an average movie-goer I give it 4 out of 5 because it leaves you holding a few loose ends.

††††
Sets the bar for the 2012 summer season! IMAX/3D is highly recommended!

-Eric Chacón

Deh-Shay! Deh-Shay! Bah-Sah-Rah! Bah-Sah-Rah!

The world famous composer, Hans Zimmer rises to the task of scoring the third and final Dark Knight film. Zimmer’s approach to the Dark Knight Rises has been called unusual by the film’s director. And if that’s any indication, this will be one hell of a soundtrack.

In an interview with MTV, Zimmer mentioned that he did go over the story arc of the film with Nolan and discussed the themes for many of the films returning and debuting characters. But insisting that he can’t say more than that. In the interview he goes on to say…

“The thing about Chris and myself is, what we try to do, is treat each one with the autonomy it deserves, to try and invent and reinvent, not just go over old ground,” he said. “I think that’s what was most exciting for people on ‘The Dark Knight.’ They knew we were doing the ‘Batman’ movie, but they had no idea it was going to be that kind of ‘Batman’ movie.”

In an other interview with Collider, while promoting Sherlock Holmes: A Game of Shadows. Zimmer talked about coming up with an unorthodox idea to not only create a new sound for the 3rd film but to open the project up to the fans as well.

“Well, before I started on Sherlock, I had an idea for Dark Knight. I said to Chris [Nolan], “Would it be okay if I got the most outrageous orchestra together and tried this experimental thing?” It involved chanting and all sorts of stuff. And, if I decided that it was just complete rubbish, then we could just throw it away and nobody would ever mention that Hans went and spent all that money. So, I went off and spent weeks writing it. I recorded the piece, and Chris came by and said, “Well, you’ve done half the movie now.” I said, “Well, I don’t think that’s quite true.” But, I think I figured out my cornerstone to the thing. I’m hellishly ambitious on that. The chant became a very complicated thing because I wanted hundreds of thousands of voices, and it’s not so easy to get hundreds of thousands of voices. So, we Twittered and we posted on the internet, for people who wanted to be part of it. It seemed like an interesting thing. We’ve created this world, over these last two movies, and somehow I think the audience and the fans have been part of this world. We do keep them in mind. And I thought it would be something nice, if our audiences could actually be part of the making of the movie and be participants in this. So, we’ve got this website up, www.ujam.com, where you can go on and be part of it. It was fantastic. The first Tweet that went out just melted our server because we had tens of thousands of people a second, trying to get onto the site.You always want to create a sound that nobody has ever heard, but I think, this time, we might be doing that. As a musician, I think about what environment things are recorded in. Now, you have hundreds of thousands of voices, all recorded in their own individual environment. Up until now, that’s been impossible to do. There’s a lot of people doing a lot of editing, as well.”

When asked if he cared about online reviews and criticism, Hans said

“I read it. My character is flawed, and I read it and suffer terribly when people don’t like what I do, or misunderstand it, but I learn things from it. Every and any conversation you have about the thing that you’re most interested in – which in my case, happens to be the movies I’m working on – might not be a novel conversation, but somebody’s point of view does make me think about things. Other than the really bitter and twisted stuff, I think people, especially with The Dark Knight franchise, are very interested in us making a good movie, and they’re trying to cheer us on, and they’re trying to make suggestions that are actually helpful to us. So, I am very aware of what’s going on out there.”

Zimmer elaborated on the “chant” used for the big Bane reveal. He said

“It’s nice to have the whole world join in on a chant. My only problem is that they’re so well-behaved on the chanting right now. If anybody goes onto UJAM right now, I need a little bit more. If you want to be heard, get a little louder, get a little more aggressive. It’s not necessarily his through-line; it will be an aspect of it. Right now we’re all focusing on the chant because that’s all you guys are hearing. It’s a very small part of the score, but I think there is something wonderful about finding a way of having the people who really care for this movie be participants in this movie.”







[sourc] MTV, Collider

-Eric Chacón

Member of Beastie Boys Adam "MCA" Yauch Dies of Cancer at 47

Today we morn a great lose in the music industry as member of the Beastie Boys, Adam “MCA” Yauch loses his battle with cancer at the age of 47. Four years ago on July 20, 2009, Yauch announced he had been diagnosed with a cancerous tumor in his parotid gland, located in the mouth. Due to his illness it postponed there upcoming tour and eighth studio album entitled Hot Sauce Committee Part 1 and later released and changed to Hot Sauce Committee Part 2. Despite Yauch’s condition, he never let anything hold him back from his personal life and career. He put up a strong fight until the end.

Adam “MCA” Yauch, Michael “Mike D” Diamond and Adam “Ad-Rock” Horovitz formed the Beastie Boys in 1979, starting off as a punk band and later transitioned to hip-hop in 1984. After obtaining local success with the 1983 release of their experimental hip hop 12″ Cooky Puss, followed by their debut album Licensed to Ill in 1986 which received international critical acclaim and commercial success. And later to release such albums as Paul’s Boutique, Check Your Head, Ill Communication and Hello Nasty. By 2010, they had sold 22 million albums in the United States and 40 million albums worldwide.

Yauch will always be remembered for the great lyricist he was bringing us such hits as, “Sabotage“, “Intergalactic” and “(You Gotta) Fight for Your Right (To Party!)”. He also co-founded the Milarepa Fund, which raised money for the Tibetan independence movement. The group also won many Grammys over the years and was inducted into the Rock and Roll Hall of Fame earlier this year.

May you rest in peace Adam “MCA” Yauch, we will always remember you and we’ll never forget to always “fight for our right to party!”

[Source] TMZ, Wikipedia
 

-Alexander Gothelf